Difference between revisions of "Margaret Dominick (DEA)"
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'''Margaret Dominick''' was a fan artist who always signed her work as '''DEA'''. | '''Margaret Dominick''' was a fan artist who always signed her work as '''DEA'''. | ||
| − | In ''Hard Science Tales'', issue 8 (2005), Joyce Katz mentions that Margaret Dominick was originally from Transylvania. She began to contribute her art work to fanzines in the U.S.A. in the late 1940s, and was soon doing illustrations and covers for the most popular fanzines of the day, including the cover for [[Vega]], Issue 8, released in 1952, one of her most striking works. She continued to do illustrations for almost four decades, into the 1970s, with | + | In ''Hard Science Tales'', issue 8 (2005), Joyce Katz mentions that Margaret Dominick was originally from Transylvania. She began to contribute her art work to fanzines in the U.S.A. in the late 1940s, and was soon doing illustrations and covers for the most popular fanzines of the day, including the cover for [[Vega]], Issue 8, released in 1952, one of her most striking works. She continued to do illustrations for almost four decades, into the 1970s, with a cover for the fanzine [[Gorbett]], issue 4, published in 1973, among others. |
Later in the 2000s, her art work would be reprinted in fanzines such as [[No Award]]. | Later in the 2000s, her art work would be reprinted in fanzines such as [[No Award]]. | ||
Revision as of 20:06, 2 November 2011
Margaret Dominick was a fan artist who always signed her work as DEA.
In Hard Science Tales, issue 8 (2005), Joyce Katz mentions that Margaret Dominick was originally from Transylvania. She began to contribute her art work to fanzines in the U.S.A. in the late 1940s, and was soon doing illustrations and covers for the most popular fanzines of the day, including the cover for Vega, Issue 8, released in 1952, one of her most striking works. She continued to do illustrations for almost four decades, into the 1970s, with a cover for the fanzine Gorbett, issue 4, published in 1973, among others.
Later in the 2000s, her art work would be reprinted in fanzines such as No Award.
