Difference between revisions of "National Library of Australia Zine Collection"

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The National Library of Australia has a fairly extensive collection of [[zines]] and [[fanzine]]s, the majority of which have been received on [http://www.nla.gov.au/services/ldeposit.html legal deposit].  The strength of the library’s [[zine]] collection is largely in the area of Australian science fiction [[fanzine]]s, particularly those from the 1970s to the 1980s; in this area the Library’s collection benefited significantly from the donation of the [[Susan Smith-Clarke Fanzine Collection]].  
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The National Library of Australia has a notable collection of [[zines]] and [[fanzine]]s, the majority of which have been received on [http://www.nla.gov.au/services/ldeposit.html legal deposit].  The strength of the library’s [[zine]] collection is largely in the area of Australian science fiction [[fanzine]]s, particularly those from the 1970s to the 1980s; in this area the Library’s collection benefited significantly from the donation of the [[Susan Smith-Clarke Fanzine Collection]].  
  
 
The earliest [[fanzine]]s in the library’s collections date from the early 1950s, with publications such as [[SF Review]], [[Woomera]], [[Etherline]], [[Perhaps]], [[Questionmark]] and others.  Representing the 1960s are the [[Mentor]], begun in 1965, the [[New Millennial Harbinger]] and the [[Australian Science Fiction Review]].
 
The earliest [[fanzine]]s in the library’s collections date from the early 1950s, with publications such as [[SF Review]], [[Woomera]], [[Etherline]], [[Perhaps]], [[Questionmark]] and others.  Representing the 1960s are the [[Mentor]], begun in 1965, the [[New Millennial Harbinger]] and the [[Australian Science Fiction Review]].

Revision as of 01:47, 4 December 2007

The National Library of Australia has a notable collection of zines and fanzines, the majority of which have been received on legal deposit. The strength of the library’s zine collection is largely in the area of Australian science fiction fanzines, particularly those from the 1970s to the 1980s; in this area the Library’s collection benefited significantly from the donation of the Susan Smith-Clarke Fanzine Collection.

The earliest fanzines in the library’s collections date from the early 1950s, with publications such as SF Review, Woomera, Etherline, Perhaps, Questionmark and others. Representing the 1960s are the Mentor, begun in 1965, the New Millennial Harbinger and the Australian Science Fiction Review.

The 1970s saw sizeable growth in Australian fanzine production, in part inspired by the holding of the 1975 World Science Fiction Convention, the first time it had been held in Australia. This decade is represented by such titles as Gegenschein, Star struck, The Bionic rabbit, the Cygnus Chronicler, Grundoon, Crux, A.D.1, Gobstopper, WAHF Full, and Turn Left at Thursday. From the mid-1970s, there can be seen an increasing representation of fanzines devoted to a science fiction television program, including Dr Who, Blake’s 7, and Star Trek, with this last program represented most notably in the library’s collection with publications such as Terran Times, Thrall, Beyond Antares, Spock, Constellation, The Rum Rebellion, Captain’s Log, Captain’s Briefs, Genesis, Prime Directive, The McCoy Tapes, Truffles, Sons of Kiron, Ultrawarp and Locutus.

From the 1980s the collection includes titles such as Space Wastrel, Ornithopter, Australian SF Bullsheet, Crabapple, Nemesis, Xenophilia, The Notional, and Tigger. This is also the period in which the collection becomes increasingly diverse, with titles devoted to, for example, the Australian television program Prisoner, Prisoner - the Wentworth star, amateur horror fiction such as Skintomb, metaphysics Dreams and false alarms and Australian literature Weberwoman’s wrevenge.

The ‘boom’ in perzine and music zines produced in Australia during the 1990s is not well represented, however music zines such as Pig meat, Beanz Baxter, Ignite zine, Loser friendly, Nappy kill fanzine, Octarine, Overdrive and Pee; notable perzines such as A show of hands zine and The life and times of Mavis McKenzie; and literary zines including Milk bar and Papyrus helix are held. There are very limited holdings for zines produced in the 2000s, some of note include the graphic arts zine Open me up, bi-lingual literary zine Cuando muero, sonrio and perzine Out of the bin.

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