Difference between revisions of "Speculation"
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''Speculation'' was released under the title ''Zenith'' for the first six issues, which lasted from 1963 till 1964. It was then called ''Zenith Speculation'' for issues 7 to 13, between 1964 and 1966. At that time it assumed its final identity, ''Speculation''. | ''Speculation'' was released under the title ''Zenith'' for the first six issues, which lasted from 1963 till 1964. It was then called ''Zenith Speculation'' for issues 7 to 13, between 1964 and 1966. At that time it assumed its final identity, ''Speculation''. | ||
− | Contributors to ''Speculation'' include John Brosnan, John Foyster, David Masson, John J. Pierce, writing on Cordwainer Smith, and Larry Niven. | + | Contributors to ''Speculation'' include Brian Aldiss, John Boston, John Brosnan, F.M. Busby ([[Cry of the Nameless]]), John Foyster, Richard Gordon, Lang Jones, David Masson, Archie Mercer, Beryl Mercer ([[Link (UK)|Link]]), John J. Pierce, writing on Cordwainer Smith, Martin Pitt, Chris Priest, and Larry Niven, Ben Solon. |
''Speculation'' also featured and interview with writer J.G. Ballard. | ''Speculation'' also featured and interview with writer J.G. Ballard. |
Revision as of 09:50, 5 May 2011
Speculation was an award-winning, highly influential British fanzine edited by Peter Weston.
Speculation was released under the title Zenith for the first six issues, which lasted from 1963 till 1964. It was then called Zenith Speculation for issues 7 to 13, between 1964 and 1966. At that time it assumed its final identity, Speculation.
Contributors to Speculation include Brian Aldiss, John Boston, John Brosnan, F.M. Busby (Cry of the Nameless), John Foyster, Richard Gordon, Lang Jones, David Masson, Archie Mercer, Beryl Mercer (Link), John J. Pierce, writing on Cordwainer Smith, Martin Pitt, Chris Priest, and Larry Niven, Ben Solon.
Speculation also featured and interview with writer J.G. Ballard.
Letters of comment included Michael Moorcock.
A series of "Speculation Conferences" were also organised, adopting a similarly "sercon" approach to science fiction analysis. It won the very first Nova Award, in 1973.