Difference between revisions of "Misadventures in Lofi"
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| − | + | '''Misadventures in Lofi''' was a [[freesheet]] that ran for four issues between 1996-1997 in Dublin, Ireland. Written by Karl Whitney. | |
| − | + | The publication tackled diverse, ostensibly mainstream topics, such as the revolutionary import of characters on the Australian soap ''Neighbours'', a history of Warner Brothers animation, a history of the Scottish soft-drink Irn Bru, and addressed local and international indie music, with some nods to the local [[punk]] scene, and was allegedly humorous. | |
| − | It had a couple of recurrent features: | + | It had a couple of recurrent features: "Maurice Mouths Off", an angry media analyst rages at the contemporary world; and "Indie Ghetto", fictional news about small-time indie no-marks. |
| − | Maurice Mouths Off | ||
| − | Indie Ghetto | ||
| − | Produced on a basic desktop publishing package, it was intended to stand out visually from other DIY zines. | + | Produced on a basic desktop publishing package, it was intended to stand out visually from other [[DIY]] zines. It consisted of a monochrome A4 sheet of paper, folded down the middle, and had a print run of 100-150 copies. |
| + | |||
| + | [[Category:Freesheet]] | ||
| + | [[Category:Zines from Ireland]] | ||
| + | [[Category:1990's publications]] | ||
| + | [[Category:Humor]] | ||
Latest revision as of 00:00, 6 October 2009
Misadventures in Lofi was a freesheet that ran for four issues between 1996-1997 in Dublin, Ireland. Written by Karl Whitney.
The publication tackled diverse, ostensibly mainstream topics, such as the revolutionary import of characters on the Australian soap Neighbours, a history of Warner Brothers animation, a history of the Scottish soft-drink Irn Bru, and addressed local and international indie music, with some nods to the local punk scene, and was allegedly humorous.
It had a couple of recurrent features: "Maurice Mouths Off", an angry media analyst rages at the contemporary world; and "Indie Ghetto", fictional news about small-time indie no-marks.
Produced on a basic desktop publishing package, it was intended to stand out visually from other DIY zines. It consisted of a monochrome A4 sheet of paper, folded down the middle, and had a print run of 100-150 copies.
