Difference between revisions of "Main Page"

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[[Image:LSR-27_copy.jpg‎|150px|thumb|right|The Little Sandy Review]]
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[[Image:Slant4-cv_copy.jpg‎|150px|thumb|right|linoleum-printed cover]]
  
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'''The Little Sandy Review''' was a [[fanzine]] devoted to folk music published by Paul Nelson (1936-2006) and Jon Pankake.  
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'''Woodcut''' and '''Linocut''' are two printmaking techniques that have been used in zines.
  
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''The Little Sandy Review'' was begun in 1959 as a pamphlet-sized, mimeographed publication, published in Minneapolis, Minnesota. They were later joined by Barry Hansen, who was the Los Angeles editor. Thirty issues were released until the fanzine ceased publication in 1965.
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In a '''woodcut''' an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with a special chisel that has a rounded or troughlike blade that is called a gouge. The areas to show 'white' are cut away with a knife or chisel, leaving the characters or image to show in 'black' at the original surface level. The block is cut along the grain of the wood.  
  
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The editors introduced their fanzine by saying:
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Multiple colors can be printed by keying the paper to a frame around the woodblocks (where a different block is used for each color). The woodcut can be printed on to the zine by several different ways. Firstly a roller is used to apply print ink to the woodcut. The woodcut can then be stamped on to the paper. It can also be printed onto the zine by placing the woodcut face up on a table or other surface and placing the page to be printed onto the woodcut and then rubbing on the back of the page with a spoon to ensure an even application of the page to the print ink on the wood cut. [[Woodcut_and_Linocut_in_Zine_Production|Read More...]]'''
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''"Our creed is a very simple one. We are two people who love folk music very much and want to do all we can to help the good in it grow and the bad it in perish. After reading this issue, it should be very apparent to anyone who we think is good and who we think is bad and why"'' (Little Sandy Review, Issue One, 1959). [[The_Little_Sandy_Review|Read More...]]'''
 
  
 
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Revision as of 20:56, 6 January 2012

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This Month's Featured Article!

linoleum-printed cover

Woodcut and Linocut are two printmaking techniques that have been used in zines.

In a woodcut an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with a special chisel that has a rounded or troughlike blade that is called a gouge. The areas to show 'white' are cut away with a knife or chisel, leaving the characters or image to show in 'black' at the original surface level. The block is cut along the grain of the wood.

Multiple colors can be printed by keying the paper to a frame around the woodblocks (where a different block is used for each color). The woodcut can be printed on to the zine by several different ways. Firstly a roller is used to apply print ink to the woodcut. The woodcut can then be stamped on to the paper. It can also be printed onto the zine by placing the woodcut face up on a table or other surface and placing the page to be printed onto the woodcut and then rubbing on the back of the page with a spoon to ensure an even application of the page to the print ink on the wood cut. Read More...

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