A zine - pronounced zeen - derived from magazine - is an independently- or self-published booklet, often created by a single person. Zines are customarily created by physically cutting and gluing text and images together onto a master flat for photocopying, but it is also common to produce the master by typing and formatting pages on a computer. The end product is usually folded and stapled. Zines can be printed and bound in any manner. Offset printing is a relatively common alternative to photocopying, though there is some controversey among zine writers as to whether professionally printed products may be defined as zines.
Pamphleteers such as Martin Luther and Thomas Paine can be technically classified as zine publishers. However, the origin of the term "fanzine" (eventually shortened to "'zine" or simply "zine") is generally traced to small-circulation science fiction publications of the early 1930s, in which sci-fi fans wrote about themselves and their interests for a close-knit readership.
The rise of the punk rock subculture in the '70s spawned a new interest in self-publishing. Zines were used to promote a music scene that, with a few exceptions, received little attention from the larger music press. The long-running newsprint zine Maximum Rock & Roll is arguably the most influential punk zine of all time.
From the mid-1980s through the late '90s, the review publication Factsheet Five (founded by Mike Gunderloy) formed a wider network of zine publishers and comsumers (often the same people), encompassing a variety of interests and aesthetics. Zines garnered brief mainstream attention in the mid-'90s; on the strength of their zines, self-publishers such as Jim Goad (ANSWER Me!), Lisa Carver (Rollerderby), Jim Hogshire (Pills a Go-Go), Jeff Koyen (Crank), Sean Tejaratchi (Craphound) and Pagan Kennedy (Pagan's Head) achieved moderate professional success. By 1998, R. Seth Friedman, then editor of Factsheet Five, announced his intention to sell it. It has since disappeared.
Currently, Zine World: A Reader's Guide to the Underground Press (created by Doug Holland in the '90s as a more opinionated alternative to Factsheet Five) serves a similar function, but on a much smaller scale.
Many believe that the widescale adoption of web browsers, circa 1996, ended the most abundant age of zines. However, they remain popular, particularly among those who also celebrate other hallmarks of "Do It Yourself" (DIY) culture.
Zines are often distributed by trade, sold at house shows, zine events or by zine distros. Prices vary. Some zines are distributed for free or may cost $1-$3. Rarely do photocopied zines cost more than $3. Other zines, the perfect-bound or full-color zines, may cost up to $10 or more.
Zines are a ephemeric medium. Most don't have ISSNs or ISBNs. Many aren't preserved the way other documents are. To combat this, a few zine libraries now exist in coffee house basements, bookstore storage rooms and college campuses all over the world. A zine library accepts donations from zinesters and others, catalogs these zines and will usually allow their collection to be browsed or borrowed from.