Riot Grrrl

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'''Riot Grrrl''' (Riot Grrl) was a young feminist movement mainly within the [[punk]] rock and alternative music scenes beginning in the early 1990s in Olympia, WA and Washington DC that spread around the world. When corporate media scrutiny and exploitation in the mid-1990s reached a peak, prominent women within the movement called for a media blackout and refused to talk to the press. Denied access to many of the women important to the movement, the press coverage slowly faded and Riot Grrrl continued as an [[Underground culture|underground culture]]. Today it is considered or studied as a subcategory of third wave feminism, and there are currently no known active Riot Grrrl chapters. Riot Grrrl was influential in the punk rock and alternative music scenes, as well as in other independent media and allowed young women to assert themselves in the male dominated scenes of both music and [[zines]]. It was argued in [[Media Whore]] #5 (published in 2005) that the riot grrrl spirit primarily exists in zines made by young women today.  
'''Riot Grrrl''' (Riot Grrl) was a young feminist movement mainly within the [[punk]] rock and alternative music scenes beginning in the early 1990s in Olympia, WA and Washington DC that spread around the world. When corporate media scrutiny and exploitation in the mid-1990s reached a peak, prominent women within the movement called for a media blackout and refused to talk to the press. Denied access to many of the women important to the movement, the press coverage slowly faded and Riot Grrrl continued as an [[Underground culture|underground culture]]. Today it is considered or studied as a subcategory of third wave feminism, and there are currently no known active Riot Grrrl chapters. Riot Grrrl was influential in the punk rock and alternative music scenes, as well as in other independent media and allowed young women to assert themselves in the male dominated scenes of both music and [[zines]]. It was argued in [[Media Whore]] #5 (published in 2005) that the riot grrrl spirit primarily exists in zines made by young women today.  
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The music-oriented part of the movement that is well-covered in books and other media is commonly linked with the bands Bikini Kill, Heavens to Betsy, Excuse 17, Team Dresch, and Bratmobile, and most of those bands had members who put out zines. [[Tobi Vail]], drummer for Bikini Kill, and writer of the zine [[Jigsaw]], claimed in [[Jigsaw]] #5 (published in 1992 or 1993) that she coined the term "riot grrrl" in an earlier issue of her zine as a joke. However, much of [[Jigsaw]] #5 was about the anger Tobi felt towards corporate media and their treatment of Riot Grrrl and the Pacific Northwest music scene, both of which she had a hand in helping along.
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[[Bikini Kill]] zine published this short history of the beginnings of the movement in issue two:
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" 'Once upon a time...' last spring ('91), Molly and Allison (Girl Germs, Bratmobile) went to Washingtom D.C., shook things up and got shook up, and connected with this radsousister Jen Smith who wanted to start this girl network and fanzine called Girl Riot. (This was also inspired by the Cinco de Mayo riots occurring in her neighbourhood at the time.) So that summer a bunch of us Olympia kids (Bratmobile and Bikini Kill) lived in D.C. to make something happen with our friends there. Tobi (Bikini Kill, Jigsaw) had been talking about doing zines in the spirit of angry grrrl zine-scene, and then one restless night, Molly made this little fanzine stating events in the girl lives of the Oly-D.C. scene connection -- and Riot Grrrl was born."
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The music-oriented part of the movement that is well-covered in books and other media is commonly linked with the bands Bikini Kill, Heavens to Betsy, Excuse 17, Team Dresch, and Bratmobile in the U.S.; Huggy Bear, Voodoo Queens, Hissyfits, and Sister George in the U.K,, and most of those bands had members who put out zines.
Most Riot Grrrl zines or zines from the Riot Grrrl era were of the personal-political variety, meaning writing about political issues from a personal perspective. This style of writing still exists today and can be found in zines such as [[Quantify]], [[No Snow Here]], [[No Better Voice]], [[Muse]], [[Not Sorry]], [[Sisu]], and [[You Live for the Fight When That's All That You've Got]]. The layouts of most Riot Grrrl zines in the 1990s relied heavily on [[Cut and Paste|cut and paste]], collages, the occasional completely handwritten articles and were at times quite messy, especially by today's zine standards.
Most Riot Grrrl zines or zines from the Riot Grrrl era were of the personal-political variety, meaning writing about political issues from a personal perspective. This style of writing still exists today and can be found in zines such as [[Quantify]], [[No Snow Here]], [[No Better Voice]], [[Muse]], [[Not Sorry]], [[Sisu]], and [[You Live for the Fight When That's All That You've Got]]. The layouts of most Riot Grrrl zines in the 1990s relied heavily on [[Cut and Paste|cut and paste]], collages, the occasional completely handwritten articles and were at times quite messy, especially by today's zine standards.
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* [[Jigsaw]] ([[Tobi Vail]], 1989-1993)
* [[Jigsaw]] ([[Tobi Vail]], 1989-1993)
* [[Red Rover]] (Jen Smith)
* [[Red Rover]] (Jen Smith)
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* [[riot grrrl (zine)|riot grrrl]] (Molly Neuman and Allison Wolfe)
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* [[riot grrrl (zine)|riot grrrl]] (Molly Neuman)
==Websites==
==Websites==

Revision as of 01:48, 11 April 2007

Riot Grrrl (Riot Grrl) was a young feminist movement mainly within the punk rock and alternative music scenes beginning in the early 1990s in Olympia, WA and Washington DC that spread around the world. When corporate media scrutiny and exploitation in the mid-1990s reached a peak, prominent women within the movement called for a media blackout and refused to talk to the press. Denied access to many of the women important to the movement, the press coverage slowly faded and Riot Grrrl continued as an underground culture. Today it is considered or studied as a subcategory of third wave feminism, and there are currently no known active Riot Grrrl chapters. Riot Grrrl was influential in the punk rock and alternative music scenes, as well as in other independent media and allowed young women to assert themselves in the male dominated scenes of both music and zines. It was argued in Media Whore #5 (published in 2005) that the riot grrrl spirit primarily exists in zines made by young women today.

Bikini Kill zine published this short history of the beginnings of the movement in issue two: " 'Once upon a time...' last spring ('91), Molly and Allison (Girl Germs, Bratmobile) went to Washingtom D.C., shook things up and got shook up, and connected with this radsousister Jen Smith who wanted to start this girl network and fanzine called Girl Riot. (This was also inspired by the Cinco de Mayo riots occurring in her neighbourhood at the time.) So that summer a bunch of us Olympia kids (Bratmobile and Bikini Kill) lived in D.C. to make something happen with our friends there. Tobi (Bikini Kill, Jigsaw) had been talking about doing zines in the spirit of angry grrrl zine-scene, and then one restless night, Molly made this little fanzine stating events in the girl lives of the Oly-D.C. scene connection -- and Riot Grrrl was born."

The music-oriented part of the movement that is well-covered in books and other media is commonly linked with the bands Bikini Kill, Heavens to Betsy, Excuse 17, Team Dresch, and Bratmobile in the U.S.; Huggy Bear, Voodoo Queens, Hissyfits, and Sister George in the U.K,, and most of those bands had members who put out zines.

Most Riot Grrrl zines or zines from the Riot Grrrl era were of the personal-political variety, meaning writing about political issues from a personal perspective. This style of writing still exists today and can be found in zines such as Quantify, No Snow Here, No Better Voice, Muse, Not Sorry, Sisu, and You Live for the Fight When That's All That You've Got. The layouts of most Riot Grrrl zines in the 1990s relied heavily on cut and paste, collages, the occasional completely handwritten articles and were at times quite messy, especially by today's zine standards.

The large amount of Riot Grrrl zines and zines created by young women in the early 1990s caused the creation of Riot Grrrl Press, a distro that started in 1992 existed throughout much of the decade; Action Girl Guide, a zine that only reviewed zines by women, created and written by Sarah Dyer; and in 1995, Riot Grrrl Review, a review zine by Kristy Chan that also only reviewed zines by women. Some of the zines from this era were collected into the book A Girl's Guide to Taking over the World: Writings from the Girl Zine Revolution by Karen Green and Tristan Taormino in 1997.

Zines by Riot Grrrl Chapters

Zines by members of commonly noted Riot Grrrl bands

Websites

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