Envy the Dead - Revision history

Cynical soul at 15:43, 27 November 2007

2007-11-27T15:43:47Z

←Older revision		Revision as of 15:43, 27 November 2007
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	The [[zine]], published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor [[David Mac]]. One review summed it up thusly: "there sure are a lot of words in that zine!"		The [[zine]], published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor [[David Mac]]. One review summed it up thusly: "there sure are a lot of words in that zine!"

		+	Envy the Dead and David's friendship were the inspiration for Cynical Soul zine, and the founding of the Midwest Underground Media Symposium. See [[Cynical Soul]] for the story.
	[[Category:Zine]] [[Category:Zines from the U.S.A.]] [[Category:1990's publications]]		[[Category:Zine]] [[Category:Zines from the U.S.A.]] [[Category:1990's publications]]

InvisibleFriend: Wikifying, Categorizing & Formatting

2007-11-26T06:59:02Z

Wikifying, Categorizing & Formatting

←Older revision		Revision as of 06:59, 26 November 2007
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-	The eclectic zine Envy the Dead had a run of four issues between 1992 and 1994. The zine, published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor [[David Mac]]. One review summed it up thusly: "there sure are a lot of words in that zine!"	+	The eclectic zine, '''Envy the Dead''', had a run of four issues between 1992 and 1994.
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		+	The [[zine]], published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor [[David Mac]]. One review summed it up thusly: "there sure are a lot of words in that zine!"
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		+	[[Category:Zine]] [[Category:Zines from the U.S.A.]] [[Category:1990's publications]]

Secretarykissinger at 04:20, 26 November 2007

2007-11-26T04:20:27Z

←Older revision		Revision as of 04:20, 26 November 2007
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-	The eclectic zine Envy the Dead had a run of four issues between 1992 and 1994. The zine, published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor David Mac. One review summed it up thusly: "there sure are a lot of words in that zine!"	+	The eclectic zine Envy the Dead had a run of four issues between 1992 and 1994. The zine, published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor [[David Mac]]. One review summed it up thusly: "there sure are a lot of words in that zine!"

Secretarykissinger: Envy the dead moved to Envy the Dead: correcting typo in title

2007-11-26T04:17:05Z

Envy the dead moved to Envy the Dead: correcting typo in title

←Older revision

Revision as of 04:17, 26 November 2007

Secretarykissinger: Envy the Dead

2007-11-26T04:15:35Z

Envy the Dead

New page

The eclectic zine Envy the Dead had a run of four issues between 1992 and 1994. The zine, published in Kansas City and Minneapolis, targeted an audience of "psycho-hop dawdlers," and comprised frenetic collage art, paeans to Run-DMC, enigmatic bits of short fiction, and extensive social critique, including extensive analyses of nanotechnology and the implications of nuclearism by editor David Mac. One review summed it up thusly: "there sure are a lot of words in that zine!"