Aaron Cometbus' writing captures a slice of life in Oakland and Berkeley, California from the late 1980s through the 1990s. This includes squatting, collective living, falling in love and other perils of the punk rock lifestyle. His writing is characterized by stories of loneliness and alienation, tempered with episodes of brightness and perennial hope in the ability of humans to connect to one another.
One unique factor with Cometbus was more people bought it directly from the publisher than any other zine. Aaron's travels led him accross the U.S. where he'd meet zinesters, fans, and make many new fans selling his zine at shows, conventions, punk houses, parties, book stores and on the street to people he'd meet. In the 1990s he became a human connection between zine publishers in different cities and at conventions and on alt.zines it seemed every other zinester had an a story about meeting Aaron Cometbus.
Aaron Cometbus is also a notable musician who has performed and recorded with quite a few seminal bands including Crimpshrine; Pinhead Gunpowder which included Billie Joe Armstrong; Scooby Don't; Mundt, Redmund Shooting Stars, The Blank Fight, Cleveland Bound Death Sentence, Astrid Oto (featuring Cindy Crabb of Doris zine on vocals), Harbinger, including Robert Eggplant, editor of Absolutely Zippo zine on vocals, and many more.
Chicago Stories (self published, 2004) is a small collection about Chicago, originally published in Cometbus issues 35, 37, 38, 41, and 45.
Cometbus' distinctive handwritten script can be seen in early Green Day album liner notes, the Jawbreaker collection "Etc.", and is emblematic of the decidedly lo-fi zine culture.